New Big Boobs Macromastia Models

Neither much nor too little

I have enough advanced technical script, or at least the notes on the literary script that then go to clean and end up being the shooting script.
I have been, deliberately, almost a month (since I went to Sitges) without reading the script to detox a bit of history and get a more objective look a bit once I put back to it. In this second look at the script I have found that a dialogue from the beginning (one of the few that, but the most important) I had been too melodramatic, and above all, very explanatory. So I went quickly to synthesize and change the tone for a more casual, but now it seems to me that I have been too light and short, and I have very clear that because of means to remove as much straw in the form of protagonist's act the rest of the film. Ideally, do something that is not so cumbersome as before (it was almost a monologue) and as insubstantial as now. I guess all these problems are because I'm getting back into eleven shirt rods without writing a script writer.

The annotated script

And changing the subject. Some of the examples I have given guidance to Jose (ouch that makes me weird) to the soundtrack are the beginning of Koyaanisqatsi and the first 45 seconds of this song Lightning Bolt. Not that I have to copy the music or anything, just are examples of the kind of soundtrack I had thought to who is present, but the end result and depends on it. Song from Lightning Bolt told him to fix more than anything in the texture that gives the unique sound of the bass so distorted and not have to be a complicated orchestration to make it something interesting. And Koyaanisqatsi, well, to say that the credit (or the appearance of the title rather) of the film will be quite similar to the movie ...