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Neither much nor too little

I have enough advanced technical script, or at least the notes on the literary script that then go to clean and end up being the shooting script.
I have been, deliberately, almost a month (since I went to Sitges) without reading the script to detox a bit of history and get a more objective look a bit once I put back to it. In this second look at the script I have found that a dialogue from the beginning (one of the few that, but the most important) I had been too melodramatic, and above all, very explanatory. So I went quickly to synthesize and change the tone for a more casual, but now it seems to me that I have been too light and short, and I have very clear that because of means to remove as much straw in the form of protagonist's act the rest of the film. Ideally, do something that is not so cumbersome as before (it was almost a monologue) and as insubstantial as now. I guess all these problems are because I'm getting back into eleven shirt rods without writing a script writer.

The annotated script

And changing the subject. Some of the examples I have given guidance to Jose (ouch that makes me weird) to the soundtrack are the beginning of Koyaanisqatsi and the first 45 seconds of this song Lightning Bolt. Not that I have to copy the music or anything, just are examples of the kind of soundtrack I had thought to who is present, but the end result and depends on it. Song from Lightning Bolt told him to fix more than anything in the texture that gives the unique sound of the bass so distorted and not have to be a complicated orchestration to make it something interesting. And Koyaanisqatsi, well, to say that the credit (or the appearance of the title rather) of the film will be quite similar to the movie ...

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Eo

I'm not dead nor have I left out the short film. That if, by now has an indefinite delay, and probably until February or so nothing will be recorded by scheduling things and stuff. This is not to say it will not work on pre-production right now I'm starting the shooting script.
Since the last post is new, but not important enough to post them. Taking advantage of my visit to Sitges as planned Goligher circle at the Auditorium visited Badalona to stop by the studio of SFX Zero , FX company that will give life to the monster. We talked about using animatronics, moving cables around the monster muppet plan, to put a guy in controlling the movements, to build a column to fit the entire mechanism and the person, etc.. I've also thought
to start looking for parking have closed long ago. I have a few localized, and perhaps easier to get permission to record because it would cause less discomfort than the one that is in use.
Another thing I've done during this time the circle has been sent to various festivals Goligher Should any award and thus have more money to finance itself. Although, of course, be necessary to ask for help pull it off. I contacted a producer but by late December is quite busy, hence the delay of the project (among other things).
And do not what else to say. Ah yes, that of the 30 films I saw in Sitges thanks to guest pass the ones I liked were Enter the void and White Lightnin ', with special mention for Black Dynamite

Sitges Photo nonsense